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Viele werden sie kennen: die Werbespots von Airbnb aus dem Frühjahr 2022. Dort tauchen wir in „Airbnb Stories“ ein. Wir begleiten glückliche Urlauber:innen, sehen privat anmutende Fotos und hören stimmungsvolle Musik. Die authentischen Urlaube, die hier beworben werden, sind „made possible by Hosts“. Diese Hosts treten in den Werbespots aber gar nicht direkt in Erscheinung. Einzig kleine Grußkärtchen geben einen Hinweis auf sie, im Obstkorb oder bei der Einwegkamera als Begrüßungsgeschenk. Die Gäste, die wir sehen, residieren in eleganten Stadtwohnungen, sonnigen Villen oder gemütlichen Ferienhäusern. Diese Urlaube „made possible by Hosts“ scheinen wenig damit zu tun zu haben, dass jemand ab und zu ein kurzzeitig leerstehendes Zimmer oder eine Wohnung über Airbnb vermietet.

This blogpost explores how counterpublic spaces act as intrinsically intersectional spaces shaped by power, history and emotion. In his celebrated 2019 book Afropean: Notes from Black Europe, Johny Pitts sets off by train from Sheffield on a five-month journey across continental Europe. Pitts’ mission seeks to explore the everyday life of black European experiences, beyond the “standoffish academic vernacular” (2019: 5) and to look for instances of “reverse colonialism” that highlight the long-term social and cultural presence and influence of blackness on European culture.

The outbreak of COVID-19 provoked a myriad of intriguing sentiments among my friends, me, and others, including a cringey fascination and an ambivalent kind of Eros brought on by the feeling of doomsday. These sentiments changed rapidly into sheer fear and anxiety of the sinister and unfamiliar present time (and future) and provided fertile ground for the emergence and enhancement of nostalgic feelings and practices. Nostalgia (from Greek – nóstos: homecoming, álgos: pain, ache) is defined as missing the past and clinging to it in an idealized and nonjudgmental manner. As such, nostalgia acts many times as a way to cope with a crisis-ridden reality, when the individual yearns for the past — perceived as “simple” — in the face of a chaotic and incomprehensible present.

Since the emergence of ride-hailing applications, South African urban centers have seen a rise in violence between the traditional metered taxis and the new ride-share services. Hundreds of criminal cases have been opened over the last years, and protests organized by ride-hailing drivers have drawn attention to the rising tension in the transport industry. A focus on urban infrastructure might shed new light on the history, politics and materiality of places that perpetuate violence in South Africa’s cities.

This blog post shows that the Covid-19 pandemic and contact restrictions changed the how and where of exchanging social support with others shifting increasingly to the digital. This may be in part a result of the Berliners’ attempt to create a new private outside. Krüger et al. argue, however, that this new private relies on an illusio of privacy. Especially during the pandemic, they hold, our worries might have become “surplus value” in an unregulated and intransparent market of data on and by us.

In the city of Antofagasta in Northern Chile, 16,396 people live in around 62 so-called informal settlements which lack basic service provision – with water access being the residents’ main concern. Drawing on extensive qualitative fieldwork carried out between 2018 and 2020, this blog post offers a hydro-social analysis of the informal practices of water acquisition employed by the residents of Antofagasta’s informal settlements. By taking into account both the material elements of these practices as well as their underlying logics and rationalities, the author aims to shed light on the reciprocal relationship between official water access and social belonging, paving the way for a more nuanced discussion of urbanisation processes.

Idealised values of common identification and consensus often attributed to urban neighbourhoods are romanticised, transfiguring and problematic. The socio-spatial construct of the neighbourhood is constituted not only by what we have in common and what we share, but also by dissent and conflict. We argue that conflict is not to be seen as deficient but can rather be constitutive and, in some cases, even productive for the socio-spatial (re)production of urban neighbourhoods. A research design that combines theory on social negotiations, rules and conventions in the public sphere with critical mapping techniques based on workshops conducted in the field helps to analyse the ambivalent role of conflicts in Berlin-Neukölln.

The Coronavirus outbreak has had an impact on cities and populations all over the world. Although the virus itself is only a tiny, invisible thing, it has set a challenge for humanity: public spaces in cities have become empty, airports are closed, prayers have been cancelled and people are told to stay home for the first time in our lifetime. As cities are not meant to only satisfy basic human needs but provide crucial physical and social environments for human interaction, the changes the virus has brought to urban spaces have left stark impressions on their inhabitants and vice versa. Our daily habits influence our lives, and the way we act and interact reforms our built environment.